Max Levine
David Benoit is 6’8″ tall.
Standing at 6’8″, David Benoit has made a significant impact in the world of basketball.
David Benoit’s time with the Orlando Magic is filled with memorable moments, proving his worth in the NBA.
David Benoit’s journey in the NBA, standing tall at 6’8″, is a testament to his dedication and hard work. Would you like to know how tall is Quincy Pondexter?
David Bryan Benoit (born August 18, 1953) is an American jazz pianist, composer and producer, based in Los Angeles, California, United States. Benoit has charted beyond 25 albums back 1980, and has been nominated for three Grammy Awards. He is after that music director for the Pacific Vision Youth Symphony (previously known as the Asia America Symphony Orchestra) and the Asia America Youth Orchestra. Furthermore, crediting Vince Guaraldi as an inspiration, Benoit has participated both as artiste and music director for the difficult animated adaptations of the Peanuts comic strip, such as the feature film, The Peanuts Movie, restoring Guaraldi’s musical signature to the franchise.
David Bryan Benoit was born in Bakersfield, California, on August 18, 1953. He studied piano at age 13 taking into account Marya Cressy Wright and continued his training gone Abraham Fraser, who was the pianist for Arturo Toscanini. He attended Mira Costa High School. He focused upon theory and composition at El Camino College, studying orchestration considering Donald Nelligan, and highly developed took film scoring classes taught by Donald Ray at UCLA. His education in music conducting began in imitation of Heiichiro Ohyama, assistant conductor of the L.A. Philharmonic, and continued in imitation of Jan Robertson, head of the conducting department at UCLA. He worked subsequently Jeffrey Schindler, Music Director for the UC Santa Barbara symphony orchestra.
He began his career as a musical director and conductor for Lainie Kazan in 1976, before moving on to similar roles later than singer/actresses Ann-Margret and Connie Stevens.
His GRP Records debut album, Freedom at Midnight (1987), made it to number 5 on Billboard’s Top Contemporary Jazz Albums chart. Benoit after that says that it was his favorite album to produce, because it was when “everything came together,” as he stated in an interview upon SmoothViews.com. An earlier “live in the studio” (direct record, no mixing or overdubs) album on Spindletop Records, This Side Up (previously 1986), was re-released upon the GRP label.
Waiting for Spring (1989) made it to number 1 on Billboard’s Top Jazz Albums chart. Shadows, from 1991, made it to number 2 on the Top Contemporary Jazz Albums chart.
